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Mythologies of American Violence in Alan Ball's True Blood Series

机译:艾伦·鲍尔(Alan Ball)的《真爱如血》系列中的美国暴力神话

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摘要

True Blood [2008-2014] stages a post-Katrina deliberately fantasized and violent world. Relationships between species, whose representation thus displaces the endemic confrontation between races, genders and reconstituted family members in America, are tense and dysfunctional. To capture their extreme violence, the showrunner uses the conventions of the horror genre. Vampire, werewolf movie codes and motifs are very often recycled in various episodes of the series to problematize current problems in American society such as the women's liberation movement, the gay and lesbian rights, the civil rights movement etc. All of them provide starkly original variations on the central notions of trouble and evil.The show addresses some the following key issues: which aesthetic, formal and ideological strategies are adopted to represent the different layers of reality? What kind of connection does the series establish between reality and fiction? Or else, which function(s) does the serial format serve when it tackles specific social, political, economic or societal aspects of reality at a specific time and place?
机译:《真爱如血》(True Blood,2008-2014年)上演了一个卡特里娜飓风后故意幻想和暴力的世界。物种之间的关系紧张而功能失调,而物种之间的关系由此取代了种族,性别和重构的家庭成员之间的地方对抗。为了捕捉他们的极端暴力,表演者使用恐怖体裁的惯例。吸血鬼,狼人的电影代码和主题经常在该系列的各集中被回收,以解决美国社会当前的问题,例如妇女解放运动,男女同性恋权利,民权运动等。所有这些都提供了鲜明的原始变化。展览解决了以下关键问题:采取了哪些美学,形式和意识形态策略来代表现实的不同层面?系列在现实与小说之间建立了什么样的联系?或者,当串行格式在特定的时间和地点处理现实的特定社会,政治,经济或社会方面时,串行格式起什么作用?

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    Paquet-Deyris, Anne-Marie;

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  • 年度 2016
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